Writer and instructor of our "Conquering The Blank Page" program, Larry Brown, has kindly provided a no-nonsense, high-impact roundup of the top 10 writing tips you need to know.
As if that wasn't enough, he has also provided a Story Star exercise at the end of this post to challenge all of you writers to continue developing - the results are bound to be great! And if they aren't? Rewrite! (tip #7).
Without any further ado, Larry's top 10:
- WRITE! (Set aside time 3 or 4 or 5 days per week, for even an hour, and work. Watching dancing poodles on youtube, by the way, is not writing.)
- READ! (Read a wide range of writers, see how the pros do what they do.)
- HAVE YOUR CHARACTERS DO SOMETHING! (Begin with characters in action. Even riding an elevator is action.)
- START AS CLOSE TO THE END OF THE STORY AS POSSIBLE. (Advice from Kurt Vonnegut. Read his novel SLAUGHTER-HOUSE FIVE.)
- WHAT IS THE HE & THE SHE OF THE STORY? (Don't worry about metaphors, symbolism. Focus on flesh and blood characters. The 'He and She' quote courtesy of James Joyce. Read his story THE DEAD.)
- CREATE COMPLICATED CHARACTERS (Everyone is complicated, full of contradictions. Everyone has good and bad swirling inside. Characters don't have to be likeable but they must be interesting.)
- WRITE A WHOLE DRAFT OF THE STORY, NO MATTER HOW BAD IT SEEMS. (Then you have a beginning, middle and end, something to work with.) WRITING IS REWRITING.
- EVERY STORY NEEDS TENSION & SPECIFIC DETAIL. (Tension doesn't have to mean the characters are fighting. Tension can be caused by leaving out an important detail, or by using short, choppy sentences, or by creating a type of mystery. And in the early drafts cram as much specific detail into the story as possible. Smells, tastes, sounds. The way a person looks at the ceiling when trying to remember a name. How a person always gives the door two tugs to make sure it's locked.)
- DON'T GET IN YOUR OWN WAY. (Being overly critical in the early stages of writing the story can stop a story dead and drive you away from writing. Cut yourself some slack.)
- LET VERBS DO THE HEAVY LIFTING IN THE SENTENCE. (Use adverbs and adjectives sparingly. Often an adverb is needed because the verb is weak. Example: He walked quickly out of the room. Better: He bolted out of the room, He rushed out of the room, He hurried out of the room.)
- BONUS RULE: DRINK YOUR COFFEE BLACK. (Treat cream and sugar and sprinkles and swirly stuff as unnecessary adverbs. I mean, c'mon...)
STORY START:
“Katherine? Katherine Lewis, is that you?”
Susan, mouth stuffed with Boston creme donut, looked up.
“Girl Guide cookies and snow angels,” the woman bubbled. “Remember?”
Continue story. Take chances, fail in a big way, don't be a careful writer.
Final Tip from Larry: What's the Formula For Success? A bit of talent + bit of luck + A TON OF PERSEVERANCE= Being Published